– Rob Haynes, Time Out (London) Preponderantly from the New Yorker, these haunted lullabies and sanguine whimsies which range from the civilized horror of Saki to extravagant parody, display an affectionate familiarity with evil, sharpen drama with irony. Erased from history for half a century like a character in one of his stories, Collier deserves rediscovery. In this collection, Collier uses clever, evocative prose to tell dozens of brief tales that vault off at peculiar, fantastical angles with often startlingly–and amusingly–cruel conclusions.At his best it is a mystery how he fell from attention. John Colliers wild and sardonic tales, which were for many years a fixture in the pages of The New Yorker, are, in the opinion of his many devoted.
– Michael Chabon Here is a world of moonshine and madness, of suburbia invaded by fiends and angels, of magic spells, grotesque melodrama and lunatic farce, surprising, ludicrous, terrifying. If you don't know his work, you owe yourself the pleasure–the indispensable pleasure–of Collier. When I first encountered his work, twenty-five years ago, I was shocked by his plots and delighted by his cruelty now I take my delight in the dark silky stuff of his prose style, and the shock lies in his faultless execution and in his mastery of craft. No story writer ever bit more sharply or wrote more gracefully than John Collier. – Michael Dirda, Washington Post, List of 66 Favorite Books Intense like poems, compressed like epigrams, short stories have always inclined to the lyrical and biting. Deals with the Devil and other fiendish delights.
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